« Posts tagged site give-away

Faggot Dinosaur Give-Away!

Though much to my chagrin, no : I don’t have some butt-humping Brontosaurus to send your direct. I do, however, have an invaluable relic uncovered during the most recent excavation of my abode. And like, I’m sharing. I’m sharing, Mary!

So, anyway. Yes, it’s been a minute, but I’ve mentioned Ali Liebegott‘s wicked excellent anthology Faggot Dinosaur in the past — a detail whether or not you recall, all the same : You need this journal in your life.

About the project [ Shoddy scanner notwithstanding ] :

In short, the anthology is “a visual and literary collaboration of dinosaurs knitting, fucking, and listening to Barbara Streisand! Queerness of the Paleolithic Age abounds at Faggot Dinosaur.”

Though to expound upon the extent of how it abounds . . . This gorgeous, full-color, perfect-bound compendium of cool includes contributions from Resa Alboher, Jen Benka & Carol Mirakove, Denise Bilbao, Cooper Bombardier, Lisa Brown, Clint Catalyst, Justin Chin, Lucy Corin, Carmella Fleming, Leora Fridman, Nicole J. Georges, Hilary Goldberg, Nicki Greene, Michael Henry Hayden, Diane Hoffman, Sade Huron, Elyssa Joy Kilman, Andrea Lawlor, jojo Lazar, Janice Lee, Ricky Lee, Cayenne Link, Amy Macabre, Mary Meriam, Na¹amen, Sawako Nakayasu, Kirk Read, Steven Reigns, Joshua Robinson, Tracy Jeanne Rosenthal, Roxanne, Sam Sax, Cedar Sigo, Michelle Tea, Masha Tupitsyn, Vlad Viski, Ed Wolf and Yasmin San Francisco.

[ Illustration : Victor Ray ]

It’s a charming little beast, this book. Indeed, indeed! I mean, as with Liebegott’s other works, you should already own one. Seriously. Regardless, for one lucky reader out there, I have a copy with fifteen contributor signatures to donate. That’s right, kids : the only journal in the world with autographs from Justin Chin, Janice Lee, Michelle Tea, Ricky Lee, Na’amen, Mario Ashkar, Kirk Read, Tracy Jeanne Rosenthal, Jen Benka & Carol Mirakove, Lucy Corin, Hilary Goldberg, Carmella Suzanne Fleming, your host of this humble Dot Com, and of course, The Liebegott herself. So much crazy mad queer ink smeared all up in one place, yet I plan on sending it somewhere, to someone else. What’s the T?

Well. For your chance to receive this collector’s item, all you have to do is leave a comment — email address included; my telepathic skills don’t pay the bills, ifyouknowwhatImean — by 9:39 PM Pacific Standard Time, the Third of March, Two Thousand Thirteen.

[ Illustration : Nicole J. Georges ]

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Hilary Goldberg’s recLAmation: Watch It; Win One of Three Signed DVDs

So, let’s talk about Hilary Goldberg‘s recLAmation, a feature-length genre-hopping experimental documentary-slash-fictive narrative shot on Super 8, in which capitalism in contemporary Los Angeles is overthrown, and queer superheroes — one of which there’s a more-than-decent chance I inhabit via Gaylord Wilshire, spandex tights and flame-retardant cape notwithstanding — navigate a possible future.

Hilary Goldberg, recLAmation, movie

Yes. Yes, let’s talk about it. I spoke of its unique tripartite structure in a previous post, though in brief : In the first two sections, Consumption and Colonization, personal narratives interact with moving images of contemporary Los Angeles, stop motion animation, and sound design. Writer/director Goldberg’s memoir unfolds, offering reflections on time spent with her mother’s violent fiancé and in a mental hospital.

The filmmaker’s recollection of forced institutionalization is as poetic as it is poignant.

[ An excerpt ] :

“There were no ‘Please Do Not Disturb’ signs on the doorknobs because it was too late. Ghosts haunted the halls, moaning and groaning with each unbearable second. People cried and screamed and urinated on the floor. A man continuously kicked himself in the head with his bare foot. Others paced quietly, then dropped to the ground in fits of madness with intervals like a John Cage composition.”

As with the stark black and white film stock utilized in Goldberg’s neo-noir project In The Spotlight, the employment of Super 8 — an anamorphic film format known for producing a unique dream-like quality, as if everything is coated in an amniotic haze; it’s also believed to invoke feelings of nostalgia for the viewer, mimicking a sense of connection to the material presented — renders these passages particularly powerful.

Then? Then comes the third section : a fictional narrative envisions a dream of Los Angeles after it has been liberated from capitalism.

At any rate, after a successful international tour and critically-acclaimed jaunt around the festival circuit, it’s available to view via streaming, here and now. . .

The film stars Joy Anderson, Clint Catalyst, Irina Contreras, Amy Goodman, Jessica Gudiel, Jessica Hoffmann — with narration by Goldberg.

Preview, film stills, and contest info “beneath the cut” . . .

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