« Posts tagged LGBTQ

A Muffled Beep Beside Me

Is the title of a poem that debuted in print along with the editorial brilliance [compliment directed towards the team with whom I had the good fortune of working, BTW] in Giuseppina magazine 21 : The Acceptance Issue.

And not that you asked . . . but yes : In my continued assault against the expected, this piece was composed in a form not open but rather fixed, or — despite how deliciously perverse I consider usage of the term, a myriad of connotations attached to it as stead-fast as a spiked cilice to the inner thigh of an Opus Deistrict.

By no means is it my intention to imply that free verse is inferior, but rather familiar. Hence, exploring the paradoxical freedoms of composing within a limited; i.e., formal poetic structure . . . namely, one of my own creation? Oftentimes the experience is nothing short of numinous.

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numinous (adj.) : describing an experience that makes one fearful yet fascinated, awed yet attracted — the powerful, personal feeling of being overwhelmed and inspired

Review of Pills, Thrills, Chills and Heartache — Morbid Outlook

June 2004


Special Thanks to Andrew Fenner &
Mistress McCutchan

[ Source: Morbid Outlook ]

 

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From The Archives, By Special Request—Beth Ditto’s Introductory Taste Of The Luxe Life

A brisk re-wind to the lead singer of [The] Gossip‘s first time

( . . . getting “dolled-up” for a glamour shoot, that is!)

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Frontiers magazine : December 5, 2006 : Volume 25, Number 15

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The magic that resulted was a team effort, for which Serious Propers are in order:

Photography by Albert Sanchez (www.albertsanchez.com)
Makeup by Cherie Combs (www.margaretmaldonado.com)
Hair by Tony Chavez (www.tonychavez.net) for Kérastase Paris
Propmaster/Art Direction: Pedro Zalba

On Beth (COVER SHOT):
Mini-Dress with Matching Cuffs by Abigail Adams (www.abigailadamsdesign.com)
Necklace by Tarina Tarantino (www.tarinatarantino.com)
Shoes by Abaeté for Payless
Switchblade Comb: “Bartering” Scam by Yours Truly

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So Miss Thing Is A “Style Icon” Now, Huh?!

Mmm-hrmm, yeah:

Well, “I Knew Her When. . .” &
“I was there, grrl!”
Sure was.


:: ET CETERA ::

Massive thanks to Alex Cho and Frontiers

And to Miss Ditto :
Sincere congratulations on your continued success . . .

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“Delphinium” Awarded Grand Prize; March Screenings Listed…

Congratulations are in order for auteur Matthew Mishory—in whose biopic  “Delphinium: A Childhood Portrait Of Derek Jarman” I’m honored to appear—for winning The Eastman Kodak Grand Prize for Best Short Film at this year’s US Super 8 and DV Film Festival!

:: forthcoming :: screenings ::

March 4, 2010 & March 6, 2010

at

The Durango International Film Festival in Colorado,

March 5, 2010

at

The Hole On The Hill Gallery & Art Space in Seattle,

as well as

March 10, 2010:

Australian premiere at the
Byron International Film Festival.

“The more personal and affectionate paeans to Derek’s life and work that are out there, like this gorgeous little film, the better.”

Scott Treleaven, visual artist and filmmaker

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Clint Catalyst’s Guide To Los Angeles (Interview for Gay.com by Josh Rotter)

DISCLAIMER!

✪ Please Note: ✪

At the time in which this interview was conducted, I didn’t exactly have an unbiased point-of-view.

Friends of mine had recently been laid off—a common occurrence in businesses when things like a “merger” occur… but wounds were still fresh, so to speak.  If not theirs—well, then mine, out of camaraderie.

Rather than call attention to the negative, I hope you’ll be able to apply the aforementioned statement in any instances where it might be [AHEM!] applicable.  As in: flagrantly.

Oh, &…it’s taken numerous attempts for my embarrassingly low-tech ass to get this archived Q & A to post within WP’s established parameters.

:: claws & any other applicable appendages hereby crossed —with— massive thanks to Josh Rotter & Gay.com! ::

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