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Elizabeth McGrath’s Incurable Disorder

I’m pleased to announce the release of Incurable Disorder : The Art of Elizabeth McGrath [Last Gasp], the second full-length monograph of this visionary artist’s works, including dioramas, mixed media paintings and three-dimensional sculptures produced from 2005 to 2012.

In addition to over 200 color images, the book includes introductory essays by filmmaker/producer Morgan SpurlockMcGrath’s art dealer Alix Sloan, and the artist herself.

Regarding the creative process of the “damaged anthropomorphized animals who would rather bite than be healed,” McGrath explains “The conception of these brainchildren is hard to pinpoint. They stem from the emotional encounters I have with humans, landscapes and objects, and are further shaped by the constant stream of words and images that survive my mind’s filter. Once I have the skeleton of an idea, the rest comes automatically, but staying on task through the many hours it takes to complete one of these works requires a heavy dose of news radio, stories, and audio books. For instance, the chapter titled ‘Altarwise by Owl Light’ started with a Dylan Thomas poem but grew during The Mists of Avalon by Marion Zimmer Bradley…”

She continues, “When I see the finished pieces it takes me back to the story or vice-versa, like memories from a vacation.”

As aforementioned, the tome is divided into sections — each paired with a passage from a poem or literary work that functions as a companion piece. The chapters are as follows :

Tears of The Crocodile
[ excerpt from the poem “What All The World Is Made Of” by Robert Southey ]

Altarwise by Owl-Light
[ with an excerpt from the Dylan Thomas poem of the same name ]

Incurable Disorder
[ accompanied by my poem Dead Letters : Twenty-Six Are in its entirety ]

American Animals
[ excerpt from Gods In Alabama by Joshilyn Jackson ]

Shadowless Summer
[ excerpt from Thomas Pynchon‘s novella The Crying of Lot 49 ]

With Tomorrow’s Scream
[ accompanied by a quote from Redmond King ]

Elizabeth — a.k.a. Liz, a.k.a. “Bloodbath” — McGrath is the only artist whose creations I collect, and without doubt, one of my favorite people on the planet. We met through a mutual friend in 2002, when I was asked to M.C. the Broken Dolls fashion show in January of the following year.

I’ve written about her numerous times between then and now : regarding the release of her first retrospective  Everything That Creeps in January of 2006, the premiere of Cecil B Feeder‘s documentary Bloodbath : The Movie, the main subject of which is — yep, you guessed it — in 2011.

I even modeled for CREEP Clothing, Miss McGrath’s collaboration with B.F.F. Winter Rosebudd : a feat which included strutting around Echo Park with an evil-horned creature [the duo’s slaughtered chupacabra stole] draped about my shoulders, the pièce de résistance complete with velvet cloven hooves and a poisoned arrow. And did I love it? Every fantastic click and tick of the clock.

In short, Liz is generous, genuine, a true talent, and a stead-fast friend. Her enthusiasm is infectious, and truly : I’m honored to be part of this chronicle of her creative outpourings.

Oh. And uh, in the event you might have been “skimming”? It’s as simple as this : Incurable Disorder = new book you need in your life. Me? New poem in book. Matter of fact, I’ll save you a click and leave a copy right here, even . . .

Cheers!

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One Month. An Amtrak Train. First Class Cabins, and A Slew of Renegades…

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The Transformation of boxEIGHT: Ethereal Beauty Emerges from Kucoon Designs



Alright, so...
for an overview of boxEIGHT's "This Ain't Mercedes Benz Fashion Week" 

this last/past Season's Offerings (Spring 2009)
in L.A.,
Check it—

(Madness Courtesy of Altitude TV)

Clickity click for coverage of me "giving word" at boxEIGHT studios
with appearances from:
Peter Gurnz, Dirk Mai (formerly known as "Fingers Crossed"), Audrey Kitching,
Lina Lecaro, Sammy from The Kids, "G," and Vanessa Gonzales——
along with the work of Yotam Solomon, Brian Lichtenberg
and other high-octane fabulousness.

Truth be told, anticipation of Mr. Lichtenberg's show
is what got me "in outfit" and out of the house,
so I find it only apropos
to highlight his latest work
before transitioning into the next topic...


 
 

O.K., now that we've had a bit of
'the spandex strut' that has garnered Mr. Lichtenberg notoriety
(with good reason—-this show did not disappoint,
and those effing hats and headpieces still SLAUGHTER me...)
*~ Slaughtering, I say! ~*~ S-L-A-U-T-E-R-I-N-G ~*

Still, there's a shifting of gears // a bit of backstory:
The Altitude video was shot on Friday, October the 17th--
when I was (admittedly) full of more "piss and vinegar"*
than I was by Sunday eve.

*Thanks for the vernacular, granny.  MEAN IT!

I mean, c'mon: when do I deny the fact that I'm a dinosaur
among the (AHEM!) "scene"?

Consequently, my pal Gabriele and I
nearly "pulled a Frankenstein" and bolted after the Rojas show:
false eyelashes were wilting, and enthusiasm was becoming an act
as difficult to keep up
as the Chet B headpiece I'd tacked onto my noggin...

Fashion Troopers: Gabriele and Clint Await the Final boxEIGHT Show (Spring 2009)

Then—a moment passed, only to be eaten by the next:
a narcotic rush painted with such poetic visual precision,
we were consumed by it.

Kucoon Fashion Show/Performance -- Spring 2009 Collection
(Part One : the First Half)
Please forgive: this video clip kicks in once I'd rummaged through
my recycled rubber "murse" and acquired my little cam
in medias res,
as I wasn't, well...anticipating the need to record anything.
Hence, I do admit the reactions one might overhear 'off screen'
aren't exactly eloquent.
However, that's one of the reasons why I opt to express myself
via pen, paper or notebook
(be it college-lined or of the G4 ilk).
What often is a more animated, base manner
exploding like confetti from inside of me
Is but a temporal human response: those mannerisms/
histrionic outbursts and the like...

(Oh, C'MON already! In layman's terms?
Reminders that I'm a FLAWED HUMAN BEING
who entertains himself by being "ornery!"

Consider that my frickin' First Step or something.
All right?)

  

(…and Here’s Part Two of the Visual Treats)

For instance: theoretically,
If I were to "bum rush" the designers
backstage
for an impromptu interview...

my antics and semantics with
Sheila B and Andrea Spratt, the duo responsible for
the cornea-melting jewelry/design
under the moniker Kucoon—
well,
I'd be calm, mild-mannered and
an inveterate pro with technical equipment.
(Or at least that's how I'd intend it to seem
via a little 'revisionist re-write.')
Hyperbole, active verbs and sparkling consonants...
Why not chronicle life as colorfully as one sees
or makes it out to be?
And on that tip,
the rhetorical questions continue with a nudge
and a "Why don't you go ahead and hit up the personal site
of my latest favorite find among the 'newbies'
here in Smog City?"

www.kucoondesigns.com


There's nada there for the xy set in terms of PERSONAL "consumer consumption,"
(Love that Lily Allen!)
 but that by no means is an indication any gent with impeccable taste
will be at a loss in terms of visual stimulation.
Ya with me?
As in, "Hrmm, that'd look really great on ______________."

Everything moves with such heightened velocity this time of the year,
a person might as well start shopping now:
It seems like as soon as we scrub off the Halloween make-up and blink
it's already SANTA TIME
yet again...

Insofar as the 'stand out' piece among the site? 
The Amethyst Stalactite earrings are such stunners;
in an alternate life—one in which I have scads of dinero
and zilch insofar as student loans—
I'd buy a pair and turn one into a necklace,
the other into a brooch.

Fashion is all about fantasy, anyway—
here's but one of the ways mine come to fruition.

Bring on the images
and I'll find the words...