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Cottonmouth Kisses Review — San Francisco Bay Guardian

January 1, 2011 by Clint Catalyst · Leave a Comment 

May 30 — June 5, 2001

[ & the ketamine-paced process of archiving media continues . . . ]

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Massive thanks to Cara Bruce
for one of the best reviews E V E R

It’s been almost a decade, though I appreciate you all the same…

xOxOx

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Cottonmouth Kisses Review — The Bellingham Herald

December 23, 2010 by Clint Catalyst · 3 Comments 

July 23, 2000

with mad gratitude to Ara Taylor

Cottonmouth Kisses, Clint Catalyst

Either click image to enlarge,
or

http://picturepush.com/public/4729559

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Pills, Thrills, Chills and Heartache Review — San Francisco Bay Guardian

September 29, 2010 by Clint Catalyst · Leave a Comment 

April 28, 2004

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[ SOURCE ]

Many thanks to journalist Heather Smith and The Almighty SFBG!

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Review of Cottonmouth Kisses — Traffic

July 7, 2010 by Clint Catalyst · Leave a Comment 

A publication of Small Press Traffic, “Helping Writers Break The Rules Since 1974.”

Spring/Summer 2001

Cottonmouth Kisses,Clint Catalyst,Kevin Killian,Traffic

More info on the legendary Kevin Killian awaits!

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Review of Cottonmouth Kisses — Bizarre Magazine (UK)

July 1, 2010 by Clint Catalyst · Leave a Comment 

April 2001

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[ Many thanks to Cathi Unsworth
and, of course, to Bizarre magazine ! ]

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Review of Pills, Thrills, Chills and Heartache — Morbid Outlook

April 25, 2010 by Clint Catalyst · Leave a Comment 

June 2004

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Special Thanks to Andrew Fenner &
Mistress McCutchan

[ Source: Morbid Outlook ]

 

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Review of Pills, Thrills, Chills and Heartache — Instinct Magazine

February 22, 2010 by Clint Catalyst · Leave a Comment 

February 2004

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Review Of Pills, Thrills, Chills and Heartache — Flaunt Magazine

January 29, 2010 by Clint Catalyst · Leave a Comment 

Issue 52, The “Spring Fashion Issue”

While the process of uploading/archiving/formatting my site to WordPress is—generally speaking—yawnsville territory, the occasional film strip I “re-visit” compensates for the pain-in-the-assery of it all : remembrances of whom was with me, where I was, the tilt-a-whirl of excitement I felt upon picking up the copy of Flaunt, in which this brief review (see: paragraph three) appeared…

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Massive thanks and congratulations, B.B.:  In five sentences, you target the subject matter with a marksman’s precision. Not only is this excerpt testament to a well-honed sense of verbal dexterity, but the analysis also exhibits a sophistication—namely, your ability to exude charm despite a frugal economy of language.

And thank you, Flaunt Magazine, for the elation (however fleeting).  I don’t even have to close my eyes, and I’m there again:  a 7-11 in Eagle Rock, bona-fide literary groupie Mark Ewert waiting in my grandmacamry while I made this pit stop to wherever it is he was staying.  The A.C. in the store is cranked, my skin a menace of gooseflesh as I stand, feet planted so I’m facing the magazine rack.  There’s a large expanse of glass behind the titles—does one call it a “window” if it’s never meant to be opened?—and on the other side of the freshly-Windexed surface that’s filling my lungs with a mildly toxic freon blue scent, dusk spreads itself across the asphalt sky, immense and in gasoline hues—a Molotov cocktail tossed onto the L.A. skyline.  A thick copy of Flaunt is in my hands, Selma Blair on the trademark die-cut double cover, and it’s the moment just after I flipped past Omahyra’s “Quinceñara” editorial: the moment when my eyes landed on this review, confirming the validity of what I’d heard, and as I’m scanning the words, a feeling comes over me that’s an onslaught of stimuli: it’s like being on a float in a parade, the crowd cheering; it’s like tossing a fistful of lit firecrackers; it’s a warmth of validation crawling into me by the fingertips, a delirious warmth, a fix I hadn’t even known I was craving. It’s my own Sally Fields moment, an implicit understanding of the fickle undercurrent in her Oscar acceptance speech when she gushed: “You like me, right now, you like me!”

I grab the other two copies from the shelf and head towards the cashier, not giving a damn about the transitory nature of things.

I feel traces of it still: “You like me… You like me…”

“Right now, you like me!”

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Pills, Thrills, Chills and Heartache — Review by Charlotte Cooper

January 10, 2010 by Clint Catalyst · Leave a Comment 

 

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Source ]

 

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Review of Pills, Thrills, Chills and Heartache — SOMA Magazine

December 29, 2009 by Clint Catalyst · 1 Comment 

Volume 18.3, The Street Issue

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