May 30 — June 5, 2001
[ & the ketamine-paced process of archiving media continues . . . ]
Massive thanks to Cara Bruce
for one of the best reviews E V E R
It’s been almost a decade, though I appreciate you all the same…
xOxOx
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yes I know it's old that's why it's ARCHIVED asshole
July 23, 2000
with mad gratitude to Ara Taylor

Either click image to enlarge,
or
http://picturepush.com/public/4729559
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the Bellingham Herald,
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April 28, 2004
[ SOURCE ]
Many thanks to journalist Heather Smith and The Almighty SFBG!
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A publication of Small Press Traffic, “Helping Writers Break The Rules Since 1974.”
Spring/Summer 2001

More info on the legendary Kevin Killian awaits!
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April 2001
[ Many thanks to Cathi Unsworth —
and, of course, to Bizarre magazine ! ]
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X
June 2004
Special Thanks to Andrew Fenner &
Mistress McCutchan
[ Source: Morbid Outlook ]
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for the people by the people,
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title from the L.A. Times bestseller list,
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February 2004
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bohemians,
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Cara Bruce of Life's A Bitch Books,
Charlie Anders,
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Cheers,
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One Night In 1979 I Did Too Much Coke And Couldn't Sleep And Had What I Thought Was A Million Dollar Idea To Write The Definitive Tell-All Book About Glam Rock Based On My Own Personal Experience But ,
out-of-print,
Paris: A Lie,
pauley p,
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Shawna Kenney from Life's A Bitch books,
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shoplifting,
short story by Cara Bruce,
sobriety,
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spoken word artist Pauley Perrette,
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story by Laura Albert,
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submission from Ali Liebegott,
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submission from Dodie Bellamy,
submission from Pauley Perrette,
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subversive,
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the id,
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the memoir,
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Thea Hillman,
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Trebor Healey,
true,
truth,
Turnskin,
underground icons,
When To Be A Girl by J.T. Leroy,
woozy,
writer Cara Bruce,
writer Shawna Kenney,
written in the first person,
xanax,
xanax blackout
Issue 52, The “Spring Fashion Issue”
While the process of uploading/archiving/formatting my site to WordPress is—generally speaking—yawnsville territory, the occasional film strip I “re-visit” compensates for the pain-in-the-assery of it all : remembrances of whom was with me, where I was, the tilt-a-whirl of excitement I felt upon picking up the copy of Flaunt, in which this brief review (see: paragraph three) appeared…
Massive thanks and congratulations, B.B.: In five sentences, you target the subject matter with a marksman’s precision. Not only is this excerpt testament to a well-honed sense of verbal dexterity, but the analysis also exhibits a sophistication—namely, your ability to exude charm despite a frugal economy of language.
And thank you, Flaunt Magazine, for the elation (however fleeting). I don’t even have to close my eyes, and I’m there again: a 7-11 in Eagle Rock, bona-fide literary groupie Mark Ewert waiting in my grandmacamry while I made this pit stop to wherever it is he was staying. The A.C. in the store is cranked, my skin a menace of gooseflesh as I stand, feet planted so I’m facing the magazine rack. There’s a large expanse of glass behind the titles—does one call it a “window” if it’s never meant to be opened?—and on the other side of the freshly-Windexed surface that’s filling my lungs with a mildly toxic freon blue scent, dusk spreads itself across the asphalt sky, immense and in gasoline hues—a Molotov cocktail tossed onto the L.A. skyline. A thick copy of Flaunt is in my hands, Selma Blair on the trademark die-cut double cover, and it’s the moment just after I flipped past Omahyra’s “Quinceñara” editorial: the moment when my eyes landed on this review, confirming the validity of what I’d heard, and as I’m scanning the words, a feeling comes over me that’s an onslaught of stimuli: it’s like being on a float in a parade, the crowd cheering; it’s like tossing a fistful of lit firecrackers; it’s a warmth of validation crawling into me by the fingertips, a delirious warmth, a fix I hadn’t even known I was craving. It’s my own Sally Fields moment, an implicit understanding of the fickle undercurrent in her Oscar acceptance speech when she gushed: “You like me, right now, you like me!”
I grab the other two copies from the shelf and head towards the cashier, not giving a damn about the transitory nature of things.
I feel traces of it still: “You like me… You like me…”
“Right now, you like me!”
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Ali Liebegott,
Ali Liebegott of The IHOP Papers,
Alvin Orloff,
Alvin Orloff from Manic D Press,
Alvin Orloff of Manic D,
Alyson Books,
Alyson Publications,
anthology,
art versus artifice,
author Ali Liebegott,
author Alvin Orloff,
author Charlie Jane,
author Chris Kraus,
author Dodie Bellamy,
authors from CA,
B.B.,
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bohemians,
boundary-blurring,
brave,
Britt Brown,
Britt Brown of Flaunt magazine,
Cara Bruce of Life's A Bitch Books,
Charlie Anders,
Charlie Jane,
Cheers,
Chris Kraus,
collector's item,
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cool,
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covet,
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excerpt from Turnskin by Clint Catalyst,
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fact versus fiction,
fake,
Fashion,
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faux,
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find,
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Flaunt,
Flaunt issue 52,
flaunt magazine,
Flaunt magazine's Spring Fashion issue,
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Hell House,
Horehound Stillpoint,
hot,
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I Am So Smart by Charlie Anders,
I Married An Earthling,
id,
ids,
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issue 52 of Flaunt,
item to covet,
item to find,
J.T. Leroy,
J.T. Leroy is a farce,
J.T. Leroy is a sham,
jayson elliot,
L.A. underground,
Lady Don't Be Panic,
Lady Don't Be Panic by Pleasant Gehman,
Laura Albert,
Laura Albert is J.T. Leroy,
LGBT interest,
Liquid Sky by Eileen Myles,
lit icon Chris Kraus,
Manic D Press authors,
Mark Ewert,
memoir,
Michelle Tea's story Paris: A Lie,
moody,
narcotic,
ncis,
neurotic,
no longer in circulation,
no longer in print,
no wave,
Omahya,
out-of-print,
Paris: A Lie,
pauley p,
pauley perrette,
PCP,
periodicals,
Pills Thrills Chills and Heartache,
Pleasant Gehman,
po-mo,
po-mo sexual,
post-modern,
punk,
queer,
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queers versus gays,
rad,
rape,
rape survivor,
re-affirmation,
real,
recovery,
S.F. underground,
scatological,
scene,
secrets,
secrets shared,
Selma Blair,
sexually-wayward,
Shawna Kenney from Life's A Bitch books,
Shawna Kenney of I Was A Teenage Dominatrix,
Shiny Baubles by Shawna Kenney,
shoplifting,
sobriety,
speed,
spoken word artist Pauley Perrette,
spoken word performer Pauley Perrette,
story by J.T. Leroy,
story by Laura Albert,
story by Pleasant Gehman,
story by Shawna Kenney,
submission from Ali Liebegott,
submission from Cara Bruce,
submission from Dodie Bellamy,
submission from Pauley Perrette,
submission from Pleasant Gehman,
the anthology Pills Thrills Chills and Heartache,
the brave and depraved,
the id,
the individual,
the lazy cross-dresser,
the memoir,
the San Francisco Bay,
the story Cheers,
Thea Hillman,
transgressive literature,
Trebor Healey,
true,
truth,
Turnskin,
underground icons,
When To Be A Girl by J.T. Leroy,
woozy,
writer Cara Bruce,
writer Shawna Kenney,
written in the first person,
xanax,
xanax blackout
[ Source ]
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submission from Dennis Cooper,
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William S. Burroughs
Volume 18.3, The Street Issue
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Leo Blackwater,
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Ricky Lee,
room mates from hell,
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